Archive for September, 2009

Things found on the Internet

Wednesday, September 30th, 2009

I spend more time on the Internet than is probably healthy.  I used to have a “daily checks” webcomic folder that I middle-clicked at least once a day before I discovered the magic of RSS.  There were something like forty webcomics on it at the time.  Since switching to RSS, the list has only grown.  (Also, switching to RSS was one of the best things I have ever done.)

I’ve idly considered the possibility of starting to post webcomic reviews once a week or so.  If I did one a week, I’d be in business for about a year on my daily list alone.

Today, because I feel like it, let me share a few things I’ve found on the web that I find nifty.  First off we have this extremely cute set of photos, in which a mouse decides that a leopard’s dinner looks really tasty.

National Geographic has, on their site, a photo of the day feature.  I’ve gotten more than a few awesome wallpapers from this feed, such as today’s and a few others.

Cool Tools has become one of my favorite feeds by far.  It is what it says, though some things are more tool-like than others.

Food in Real Life is a really nifty concept.  It takes (usually) boxed or similarly prepackaged food, prepares it according to instructions, and often arranges it like the picture on the packaging.  Then it compares the result with what the packaging would have you expect.

Finally, have I mentioned my love of webcomics?  I’m pretty sure I have, at one point or another.  When finding a new webcomic, particularly one that’s been around for a while, there’s often an initial startup time during which I do not eat, sleep, drink, or play WoW until I have finished reading through the entire archives.  For those who say that’s not healthy, there’s Archive Binge.  It’s a really, really nifty idea.  First, you pick one of the supported webcomics.  (Well, first you create your account for it, but I don’t mind for something this useful.)  Then you pick which strip to start with, how many comics to read per day, and which days to receive comics, and it creates a custom RSS feed to get you through the archives in a healthy manner.  I’ve got something like five or six feeds going, not just on comics I haven’t read before, but on old favorites (namely XKCD and Schlock Mercenary) that I wanted to read again.

Current music: On loop — Mr. Roboto by Styx, Dream On by Aerosmith, and Smells Like Teen Spirit by Nirvana.  But I’m about to switch to The Who.  Or maybe Pandora.

So that’s what it is

Friday, September 25th, 2009

Jo Walton has a nifty article up at Tor.com discussing the almost-dead gothic romance genre.  It’s fascinating and well worth a read.  For years, Mary Stewart’s Touch Not the Cat has held a place on my favorites shelf, and now I finally know what genre it is.

It’s kind of neat to look back and see genres that have disappeared or almost disappeared from modern shelves.  I’m generally a big fan of stuff that mixes genres or pushes genre boundaries, and I like it when things break free of the normal constraints.  So wandering across a whole new genre is kind of cool, in its own way.

Current Music: Red Hot Chili Peppers, Snow (Hey Oh).

Finding troublesome songs

Thursday, September 24th, 2009

There’s this song I like.  It’s got some nifty lyrics and, more importantly, the music is just great.  It’s stuck in my head.  Not a problem.  It happens all the time.

Usually, when a song gets stuck in my head, I don’t mind.  Truthfully, I like it.  There’s really only a couple of things I can do, though.  Used to be I could just sing it out — if all I know is a couple of verses, I could be in loop mode all day.  Years of social conditioning have caused me to be very anxious about crowbars when I do this, even if I’m alone in the house.

My usual solution, if I don’t know the song well enough, is to listen to it (a lot) and learn it a bit better.  Great process.  I love it.  And in the modern age, a quick Google search is usually enough to pinpoint a song whose name and artist I don’t know.

Usually.

But you can’t google musical notation, and if the only lyric you can remember is any of the seven hundred Approved Generic Lines About Love, well, happy hunting.  But I get that.  I understand that.

You wouldn’t think that there would be so many songs, though, with the assorted lyrics “if all the love I have,” “for all the tears I’ve cried,” and “would make it better.”  You’d be wrong.  (To be fair, I knew the lines must be a little bit off, but wasn’t sure exactly how.)  After two days of sporadic searching, during which I drained my entire Sanity score twice, I’ve determined that I’m actually rather fond of “High Up Your Tree” by the Charlatans.

It’s a good song.  I like it.

Midnight Run

Tuesday, September 22nd, 2009

I just got back from a run around the block.  I feel pretty good.  It’s 2 in the morning.  I ran barefoot.

I’m not crazy, promise.

I’ve always had a tendency toward moving when I write.  I sit down and write for a moment, and when I need to think, I get up and pace.  Or something.  I used to be like a jack-in-the-box back in ASMSA and college late at night — when I was writing something in my room, whether it be personal or academic, I would pop out of my room and frantically pace up and down the hall for a while — sometimes less than a minute, sometimes much longer — and pop back in to write.  A page or paragraph later, whenever I hit the next tough spot, I’d be out again, up and down the hall, until I had it worked out.  I’m sure I drove my dorm-mates nuts, but there just isn’t space in a room for the kind of high-speed high-intensity pacing I prefer.

So I was trying to write earlier, and, finding that the writing wasn’t coming, I decided to read a little bit of my backlog while I thought.  (Incidentally, I highly recommend the Read It Later firefox extension — it saved my life.  I can mark something to read later and tell myself I will, instead of feeling a desperate need to read it before it gets away.)  I ran across a Lifehacker post on how running barefoot might be good for you (also cool shoes) and thought, heck, I love being barefoot!  I’ve been meaning to take up running for a decade now!  Sure, why not!  So I half-ran, half-walked around the block.  I’ll regret it tomorrow, but it was worth it.

This isn’t the first time I’ve actually gotten around to doing some running.  For a short while I and my friend Morgan (the blog’s down now, but it won’t always be) were running about once a week, way back before she left Little Rock . . . like almost a year ago, wow.  Time flies and all that.

So what’s bugging me about writing?  Well, I figured out part of it: I need to delinearize my revision process.  I figured out a long time ago that writing the first draft in order just doesn’t work for me — sometimes I have ideas for the middle or end of the book way early, and if I don’t write them (a) they’ll get away and (b) I won’t get anything else written, either.  I’m not an outline writer, though; I’m sort of a nonlinear discovery writer.  End tangent.

Somehow, I forgot that important lesson when I started revising.  I think it’s because I really wanted to finally have something to show to my very patient friends and family, so I got the first chapter all fixed up (something I’ve wanted to do for a while anyway) — and then I wanted to keep showing stuff off, so I immediately threw myself into the second chapter.

This won’t work.  I know how the beginning goes, but the late beginning all the way through to the end are going to suffer reorganization, sometimes drastic, of scenes.  I can’t just go through and look at each chapter individually, making the prose prettier.  I need to rewrite a ton of stuff, write new material in places, and just completely relocate scenes from, in some cases, very nearly one end of the book to the other.

There’s still some stuff I need to work out.  Which route I’ll take at the end of the second part.  Certain details about the climax.  Whether or not I’ll give a certain treacherous character an antihero plot arc in the late book.  But ultimately, I’m in much better shape after that run.

Current music: Nena, 99 Luftballoons, everybody’s favorite german feel-good nuclear holocaust song from the 80s.

General Update

Monday, September 21st, 2009

I haven’t gotten a lot of work done on the second draft this week, mostly because of life.  What I have done is brought the first chapter to what I consider a show-off-able level, and started shopping it around to folks.  It’s generally been well-received across the board, which is nice, but let me say here how useful it is to have a friend who professes to hate everything they experience.  (I exaggerate a little.)  It’s always a bit painful sending writing that way, but I get tons of negative feedback to keep my ego in line, which is a good thing.  So thank you for that, unnamed friend (you know who you are).

I’m actually about to settle in for some writing right now, though.  The book’s been staring at me, and it’s starting to creep me out.

Other things:  I’ve had a couple of nifty short story ideas recently.  I don’t get a lot of short-story-sized ideas (and the last one I tried to write turned into the novel I’m working on now).  I’m debating whether to write them now or file them away for a while.  If I write them now, I’ll have some finished shorts to shop around (and maybe sell).  If I hoard them, I’ll be more likely to get work done on the novel in the short term.  I may try writing them while I’m revising — even when I’m worn out on revising for the day, I can often write new material, and vice versa.  But not always.  We’ll see.

Currently reading: Mainspring by Jay Lake.  Looks great so far.  Just finished: The City and the City by China Mieville.  Really a very good book.  Loved the setting.

Current music: Avril Lavigne’s album Let Go.  I’m really rather fond of her music.

My Writing Process — Such As It Is (Part II)

Saturday, September 12th, 2009

I swear, I thought I posted the Shelfari thing yesterday.  Somehow it ended up as a draft, so please excuse the double-post.  (Either way, it’s been horribly long since I posted.)

When I left off in part I, I had just about finished talking about my past writing processes, and promised to finish the following Friday.  We all see how that turned out.

So this time, I’m going to talk about my current and near-past writing process — how I’m writing Derelict.  As of right now, I’m getting to the part where I really sink my teeth into the second draft.

Most of my writing on Derelict so far has taken place in yWriter, which is a lovely, lovely program by Simon Haynes.  I have a few minor issues with it — I’ll get to those — but they’re mostly because of how I write, versus how Simon writes.  yWriter’s organization is what pushed me over the brink from just poking at Ghost Ship every once in a while to expanding it into Derelict.  If yWriter had done nothing else for me, that would be enough to make me love it.

Let me talk about yWriter for a moment.  In yWriter, your novel is split up into chapters, which are then subdivided into scenes.  It is very, very easy to write a scene halfway through the book, or at the end, with a bunch of filler chapters and scenes in between, and this is exactly what I have done most of the time.  I get an idea for a scene, I drop it into the framework somewhere where it makes sense, and if I change my mind about location later I’m just a click-and-drag from putting the scene where I want it.  You can also add tons of metadata to your book; who the viewpoint character for each scene is, character bios, items, locations, notes, and more.  In many ways yWriter is the perfect writing tool.  I’m seriously considering not writing my next book with it.

It’s not because yWriter is a bad program — it’s because of two or three things it doesn’t do right now.  First — this is a big one — there’s no way to edit a whole chapter, or the whole book, at once.  I really want that option.  It’s one thing to look at a scene, load the next one, and carry on; I want to read them in sequence, without breaking flow, so I can see how well they mesh.  There’s really no good way to export and re-import your book, or chapters — any metadata you have (such as scene names, notes, and viewpoint characters) is lost if you do.  I could export it, edit as I read, and then copy-and-paste each scene back into place, but at that point I’m doing a lot more work than I want to.

yWriter is basically cross-platform.  It’s almost cross-platform enough for me.  The only OSes I use are Windows and Linux, and yWriter runs pretty well on my Ubuntu laptop under Mono.  But there are a few minor problems — one of which is that exporting the text tends to foul up a bit.  Maybe it’s a bit snobbish of me, but I’d rather not have to export in windows to edit in linux.

Finally, there’s the issue of data and metadata access.  yWriter keeps all its scenes in .rtf files, numbered in the order you created them.  Mostly this is good — if the apocalypse occurs and renders yWriter useless, I can still open the files in Wordpad.  Of course, I’ll have to sort out the correct order myself.  But the metadata — unless you export it as part of the text — you need yWriter to get to.  This bugs me.  It’s the little things that do.

So right now, I’m writing the second draft mostly in .rtf and .odt documents.  They’re extremely portable, which is nice.  I’ll probably end up dropping a lot of it into yWriter, exporting Derelict when the second draft is nice and polished, and then just working with word processors through the rest of the drafting.

Let’s talk metadata.  I have tons of notes and stuff for every writing project I have, and historically those have been in tons and tons of Wordpad documents.  This does not work.  A while back, at the suggestion of Writing Excuses, I started using Wikidpad.  I love it!  Only problem: no Linux version.  When I feel like messing with Wine I’ll try getting it up and running, but I haven’t yet.  Besides, Wikidpad suffers from two problems that drive me insane: you can’t name a link something other than its name, and you can’t italicize or bold text.  I’ve read a lot of writers talking about how they only do that in revision, or how it’s better not to have the option up front, but it really doesn’t work that way for me.  If I reach something I want in italics (like, say, a ship name or a specific thought) and I can’t italicize it, it breaks me right out of my writing trance.  Bam.  Dumped on the floor.  If I’m wrong, I’ll be delighted to have someone correct me.

I’ve been using Tomboy lately.  I can italicize stuff, but I still can’t rename links to anything but the title of where they’re going.  And as awesome as Tomboy is — it’s really awesome, by the way — I don’t think it’s going to be a good permanent solution.  Oh, I’ll probably use it for a long time to come, but for my long-term writing notes — not so much.

I’m not afraid of trying new programs when I’m writing.  It’s helped me a lot.  Wikidpad and Tomboy have both been very helpful, even if they don’t do everything I want them to.  yWriter, despite everything I’ve said about it, is a really amazing tool.  Even if I don’t use it for the main writing on my next novel, I’ll be using it for something.  yEdit didn’t work out (no italics, hisssss) but I wouldn’t have known if I hadn’t tried — and that led me on the path to a variety of other editors like WriteMonkey and TextRoom.  I don’t use them right now, but it’s nifty to know they exist.

Join me sometime in 2014, when I maybe might get around to part III of the series and talk about my plans for future writing methods.  That will be in the past then.

Current music: Disarm by Smashing Pumpkins, via Pandora.  Eh, it’s not bad.

Shelfari

Saturday, September 12th, 2009

I stumbled across Shelfari recently.  Let me say, up front, that I don’t normally go for anything resembling a social networking site.  I have a LJ account, if only because I once felt the need to comment on one of Megan Rose Gedris‘s blog posts.  I have a DeviantArt account that I pretty much haven’t touched in . . . three? four years?  Three, I think.  I mean, I log on every now and again to fave stuff, but that’s pretty much it.  I fiddled with Twitter for a couple of weeks.  But really, this blog is about as close to social networking as I get.

But Shelfari is the kind of site I could really enjoy.  It’s a fun idea.  I love books, and this is a neat way to show off stuff I’ve read.  Right now my Shelfari account is kind of slim — mostly stuff I’ve read recently, or stuff I really enj0yed when I read it.  I basically just add stuff as I remember it (and as I read it) for now, and add the actual date I read it (as close as I can remember) when I get around to it.  And maybe I’ll have completely forgotten about Shelfari in a couple of months.  But maybe not.  I like the idea of being able to look back and see all the neat stuff I’ve read.

Current Music: Sheryl Crow, Soak up the Sun.  I’m actually not listening to it, it’s stuck in my head: but I count that.